The Fork in the Road … Which Path to Take?

Posted in 1st Gear Music, Thoughtful Sermons and Mindless Rants on November 8, 2009 by Numerounogearhead aka George

Lots of customers contact us asking if we carry certain effects pedal lines. Usually they read a gear review about a certain pedal, and want to snag one. 1st Gear Music like to offer a healthy variety of pedals, including the latest models out from brands we carry. We like to go deep with brands that impress us, Electro-Harmonix and T-REX for example, stocking as many different effects a possible. But we know that there will always be requests for pedals from manufacturer’s that we don’t deal with.

It is not that we don’t like some of the pedals that Guitar Player Magazine loves. We simply cannot carry all the brands that are reviewed, especially when it seems that new a new line surfaces almost daily.

We have found that when Guitar Player bestows an Editor’s Pick award on a pedal, demand for that effect spikes. But after a month (when the next issue hits the stands), demand often falls off a cliff. What to do?

As the economy limps along, we have focused more on mid-priced pedals that receive good magazine and player feedback. That means a lot of boutique names get excluded.

But that doesn’t stop the incoming flow of quality pedals. We just took on the Way Huge line and will soon bring in Carl Martin. We have also started selling modded Boss pedals created by Mike Baker of Baker Modifications.

Here’s a question for you players: What are some good, practical pedals that do the trick but do not cost an arm and a leg? Also, what impresses you most about them? Hopefully, some pattern or trend will develop as we sort through recommendations. And you may someday soon see the effects that you personally recommended among our pedal offering.

What’s My Price?

Posted in Thoughtful Sermons and Mindless Rants on June 15, 2009 by Numerounogearhead aka George

I used to do it myself. Ask “what’s my price?” when I bought music gear. For asking, I always got a special discounted price, but it took me a long time to figure out that the kindly music store owner was simply whittling a few dollars off the MSRP, or manufacturer’s suggested retail price. The suggested price that nobody in their right mind would ever pay.

Then along came the Big Boy catalog operations, followed a few years later by Internet stores both large and small. That’s when I realized how often and for how much I had been ripped off in the past.

Today almost every competitive music gear business charges MAP, or minimum advertised price, for its goodies. MAP is established by manufacturers, and is designed to create a level playing field for large and small retailers, as well as protect the integrity of each manufacturer’s brand. In other words, no price dumping allowed in catalogs or on Internet music stores – both considered advertising venues.

A lot of retailers play the game of ignoring MAP until a competitor squeals on them. Then the manufacturer calls the offender to slap his wrist. Then, as if by magic, the price is corrected upwards to MAP. Once the coast seems clear, the game starts all over.

The nice thing about MAP pricing is that it is supposed to be the best price you can offer. At least that’s how it used to be. Nowadays, I get tons of phone calls asking (and more often telling) me to drop the price below MAP. There is a general conception that since the economy is going through a tough stretch, retailers should be willing to sell at deep, deep discounts. I usually try to work out pricing with a customer (unless he or she is a jerk; then I ask if they are looking to buy or rent).

Some customers very much appreciate getting a break on an already-low price. But offer an impressive deal to others and they smell blood. That’s when they want to haggle. One metal head told me he would buy two Aguilar amp heads and two large 8×10 cabs if I sold each item for $100 more than I paid for it. His reasoning was that I would make $400. I told him I would buy his existing rig for $100 more than he paid for it. Shut him right up (and he hasn’t called since).

Here are a few factors that determine how low I may go with gear prices. Of course, we are talking in-store pricing or prices discussed over the phone. The Internet store only shows MAP. Push “add to cart” and that is what you will pay.

1) If you are a jerk, no soup for you. I’ve learned that a troublesome customer never changes, from that initial great deal to that final damaged return. Jerks are jerks are jerks. Get over yourself, ya big jerk!

2) How long will it take me to replace an item I might sell for below MAP? There is no way I am going to further decrease an item’s price – especially an item that is in demand – if it takes weeks to restock. In between, there are a lot of customers happy to pay MAP and as a bonus get real one-on-one customer service.

3) What are my out-of-pocket expenses, beyond already making less profit? Most customers do not realize that incoming shipping costs take a sizable bite out of the profit margin. That means there is less “wiggle room” with which to negotiate. In my opinion, it makes no sense to win a sale only to make next to nothing.

3) What is my competition doing? Often, that’s what precipitates customers demanding lower prices. Many stores selling on eBay charge MAP during the week, then lower prices from Friday evening through early Monday morning. They know that nobody is going to police prices over the weekend. A lot of online stores trumpet that they will match any advertised price lower than theirs. I don’t have to play that game because I am already selling at the best price each manufacturer will allow.

4) What kind of profit will I make? 1st Gear Music is a business with lots of bills to pay. Why should I match someone else’s dirt cheap, illegal discount if I am only going to make $10?

I love to see and hear from happy customers. Sometimes they can get a price break, and always they will get great customer service. It is actually very easy to give customer service that is superior to competitors’. Just give a damn. Many operations don’t.

Can’t Find Warwick Beeswax Surface Finisher?

Posted in Gear Review on May 12, 2009 by Numerounogearhead aka George

Right now, one of the most popular accessories for Warwick basses is in short supply.  The fabled beeswax surface finisher, used to protect the natural oil finish on some Warwick models, is on the wrong side of the ocean.  When German-based Warwick chose Davitt & Hanser as its new U.S. distributor over longtime partner Dana B. Goods, the latter blew out its inventory of basses, amps and accessories.  Hanser is in the process of stocking up on all things Warwick.  There are lots of shoe-polish sized cans of beeswax in Europe, but darned little of the stuff stateside.

Anyway, if you own a Warwick bass or two (which is often the case with Warwick afficianados), there is a product that works as well as Warwick’s beeswax, and it is not expensive.  Go to Home Depot and look for a product called Howard’s Feed-N-Wax.  It comes in a 16 0z. plastic bottle, and costs less than $10.  That single bottle is practically a lifetime supply.

Howard’s is made with beeswax, carnauba wax and orange oil.  It was introduced to us by our guitar tech Kerry Hill, soon to be world famous.  Kerry owns Warwicks as well as builds his own guitars and basses using oil finishes.  He uses Howard’s to not only polish and protect his instruments, but also to treat dry fingerboards.

My first thought was that a wax product was not good for fingerboards.  But Howard’s seeps in and wipes off so easily that it leaves no waxy residue.  We now treat all our porous fingerboards with Howard’s on a regular basis.

But getting back to substituting Howard’s Feed-N-Wax for Warwick Surface Finisher.  After shaking the bottle very (we mean VERY) well to thoroughly blend the three main ingredients, squirt some directly on the wood or on a rag and apply it to the instrument.  Don’t be shy with amounts.  Slather the stuff on, then let it sit for 20 minutes.  What isn’t absorbed is easy to wipe off.  Then using a soft cloth, you can quickly buff Howard’s to a high sheen.  The result is a beautifully smooth finish which shows off your instrument’s wood like you have never seen before.

Now you will still eventually need Warwick Surface Finisher.  While Howard’s both feeds the wood as well as waxes it (hence the product’s name), the Warwick beeswax builds up a durable wax finish that you can easily buff after each playing session.  So Howard’s makes a good initial treatment, while beeswax is recommended for the long run.

You can alternate applications of Warwick beeswax and Howard’s Feed-N-Wax, but we have found that laying on successive layers of beeswax is sufficient to protect your instrument while bringing out the true character of its wood.

So as we patiently wait for Hanser to receive its first shipment of Warwick beeswax surface finisher, we now all know of a great product that will keep our instruments happy in the days (and hopefully not weeks) ahead.

Somewhere in the Balkans, a U.S. Masters Bass thunders!

Posted in Flattering Customer Feedback on March 14, 2009 by Numerounogearhead aka George

U.S. Masters Guitar Works in Middleton, Wisconsin makes guitars and basses that we believe surpass most Gibsons and Fenders for innovation, tone and build.  Here is a testimonial from one happy player in Eastern Europe, lifted from an email recently received by U.S. Masters …

… My name is Marko Jakovljevic, and i am living in East Europe, Bosnia and Herzegovina, a town named Mostar. Full address would go like this; “Zrinskih i Frankopana 1/3 88000 Mostar, BiH” i have bought this bass (an EP55 Studio Active 5-String) at 1st gear music, from guy named George i think before maybe 4 months or so. All i can say about this bass that it is just unbeliveable how good it feels in my hands. I was thinking that it will take some time to get use to the neck, but it was opposite, i just took it and start playing on it. The electronics are working perfect! It is just by blending the pickups that i get a variety of sounds and there are more and more options to go through in shaping the sound! Finish and body shape are also great! It is also well ballanced so it is not too heavy for my shoulders.
Now something about my bands. I play in band named “Mostar Sevdah Reunion” who plays traditional music from Balkan’s in a little bit modern arragements. Publishing house is from Holland, named “Snail Records”, and they do mostly a “world music”. Concerts that we play are all over Europe, Australia, some states in Azia, and are working our way to US. Distribution of the CD’s is world wide, Europe, Azia, USA. I also perform with a gypsy female singer “Ljiljana Butler” and she is also part of “Snail Records” familly. Also i am performing with a new project “Arkul” who plays traditional music on ladino language(Old spanish)
Below i send you some links from these bands;

  • http://www.amazon.com/Mostar-Sevdah-Reunion/dp/B00005CC4Y
  • http://www.snailrecords.com/Schaal/booking.html
  • http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=73807535

Also i perform with band named “Zoster”, who performs on Balkan’s mostly, and Europe (Austria, France and Spain). Verry good band who plays a lot also.We have published 2 CD’s and are recording third one, and it will be published in Croatia.
Below are some links;

  • http://www.myspace.com/bandzoster
  • http://www.gramofon.ba/artists.php?artist_id=8&lang=en

Also i perform in a project called “Teta Dunja Teta Visnja i Teta Jagoda”, new project, trio with guitar bass and drums. We are performing on Xenophonia music happening in Sarajevo soon.  Also i have worked with many artists from this area, different styles of music like band “Vuneny” who is touring in Europe a quite often.
Below are some links;

  • http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=448551475
  • http://xenophonia.ba/
  • http://www.myspace.com/vuneny

Thanks, Marko!

The Overdrive That Could Conquer the World!

Posted in Gear Review on October 21, 2008 by guitfiddle

Now the title may be an exaggeration… but the tweakability of the Creation Audio Labs Holy Fire Overdrive/Distortion is on a level all it’s own!  The artists, and that’s what they are at Creation Audio Labs, have come up with a concoction that MOST Rock/Blues/Funk and Metal Gear Heads will scour the earth to get there hands on, and their ears wrapped around!  Before I go any further, YES, I own one, and use it in my rig with abandon.  Yet again, a pedal with only a few controls:  Gain, Overdrive, Distortion, and Treble Cut.  But the similarities with other pedals end there.  The Gain control has THE MOST headroom I’ve ever experienced!  (It’s really your Volume.) You can just CRACK it open and it’s already spitting FIRE!  Now without getting too technical, the Overdrive is TRULY based on a pushed tube tone.  The more you increase the knob, the more tube-like characteristics appear.  But the beauty of this design is how it works with the third control: Distortion.  You’ve NEVER heard a pedal where the Overdrive DIRECTLY affects what occurs with the Distortion!  And the Treble Cut makes it ALL come together!  Rolling it off to about 1:00 keeps the top end of this dragon warm but still crispy enough to burn your biscuits!  As a live, every day, gigging, working man’s tool, this compact powerhouse makes the cut.  Run it through your clean channel, and give your amp a whole new realm of punch and crispiness.  If you need to push your lead channel for cut and clarity, it will do this without breaking a sweat!  I’ve used it dialed in for a GREAT crunch in a clean mode, and then without making any adjustments, click it over to my lead tone and listen to the SMOOTH sustain and SWEET gain that only the HOLY FIRE seems capable of handling!  Now I LOVE variety in my live tone… I can’t stand using the same couple of tones OVER, and OVER, and OVER!  Therefore, my rig has a bunch of overdrive pedals that I tap dance around to tweak my sound on the fly.  But I will admit, that the CREATION AUDIO LABS HOLY FIRE is one of those pedals my foot just gets drawn to without question!  So, my fellow gluttons for TONE, get your hands on one of these, and you might just hear the Roar of Angels coming from your amp like NEVER before!  Carry On!

It Doesn’t Get Much Sweeter Than This Pedal!

Posted in Gear Review on October 20, 2008 by guitfiddle

Tone Junkies, pull up an amp, your favorite guitar, and plug in the T-Rex Mudhoney Distortion! To call this pedal just a “distortion” box does not do this little baby justice!  For one thing, the simplicity of the design does not hint at the complexity of tone that can be dialed in.  Dialing back the Gain control will help push any good tube amp into just the right amount of overdrive for a sweet rhythm tone or a dry bluesy lead.  Push the Gain forward and you’ll discover gritty crunch that MUST be tweaked in conjunction with the Tone knob!  The interaction between the Gain and Tone knob is where it’s all at with this true boutique designed pedal.  Rolling off on the Tone is what the “Honey” is all about!  Not just a Treble cut…. this knob really sweetens up your sound into late 60’s “Woman Tone” territory.  The 12 o’clock position is where I find the Mudhoney shows off its character traits that leave other “distortion” pedals behind.  A few manufacturers including T-Rex and Creation Audio Labs, have caught on to the fact that usually, when you push a distortion pedal harder, the top end gets glassy and bitter, to most players taste.  T-Rex made a point of creating this box with tube compression totally in mind… leaving most listeners with that “Ahh … I’ve been searching for this FOREVER!” realization!  Now, the icing on the cake is when the tiny Boost button is pushed in.  Fuzz city without too much “fuzziness”!  When you activate the pedal in this mode, and send it into an already pushed or overdriven amp….. OH MY GREAT GOOGLY MOOGLY! This is one of the warmest “fuzz” tones, but with great sustain characteristics, I’ve ever heard!  I would have to say, this golden box, is in the unique category of distortions that must be used through a clean channel, as well as run into an amp that is already crying for “MERCY”!  To sum this all up, the T-Rex Mudhoney has garnered itself a prime spot in my tone arsenal!  Dip in, spread it around and ENJOY!

Vintage Tone….We ALL Need Vintage Tone!

Posted in Gear Review on October 20, 2008 by guitfiddle

Salutations and greetings to our fellow Gear-Hounds!  This installment of 1st Gear Music’s Blog is all about The Rocketfire Scatterwound Strat Pickups. Now, I’ve played a few Strats in my life … more than a few.  For a time, I left the world of single coil pickups, and ventured into the well-travelled realm of Humbucker-ville.  Now I DIG the GOOD, fat, rotund, and BEEFY tone of quality humbuckers.  Bring it on, and I usually go back for seconds and thirds!  But as I explore the original roots of why I latched onto an axe in the first place, I’ve been craving the JANGLE and BITE of the Grand Wazoo of pickups… The Strat Singlecoil!  As I previously stated, I never truly left Strat-town … just spent some time away on Holiday.  I’ve read about, and researched the “Vintage”  tones supplied from OLD Strats.  The whole idea of hand-wound single coils that were originally manufactured back-in-the-day, has always been appealing, but for most of us, out of reach, money-wise.  (You usually have to buy the WHOLE guitar to get this sound!)  Well, my friend, 1st Gear Music recently became THE SOLE U.S. Dealer for Rocketfire Pickups, and we went right to work getting these chomping puppies into a guitar, ASAP!  The result is STRAT-TACULAR!  BALANCE is the first word that crams itself into my Cerebral Cortex!  You have NEVER heard a retro-fit set of Strat pickups that truly give you the definition and balance between the low, mid, and high frequencies of a Strat, like The Rocketfire Scatterwounds!  Now I’ve always called hand-wound pickups, “Sloppy-Wound”.  The “professional” term is Scatterwound, but what it comes down to is HAND-CRAFTED perfection!  Nick Sorenson at Rocketfire creates these BY HAND, the old fashioned way… one at a time!  The clean tones jangle and chime with a clarity I had only heard on recordings and in late night fantasy dream sequences.  I spent a HUGE amount of time exploring the tonal palete of a retro-fitted G&L Legacy, JUST with CLEAN TONES!  (Leo would be proud of these, I think!)  Now I’m a rocker.  But I could not resist the clarity of this guitar with THESE pickups, in CLEAN mode!   Then it was on to Hendrix Heaven with grind and sustain I couldn’t have fathomed coming from a single-coil beast!  I ran the Rocketfire laden G&L Legacy through a Budda Superdrive 18 watt single 12″ combo.  GADZOOKS … even a mediocre hacker such as myself, could achieve UNBELIEVABLE PUNCH and GRIND from these Single Coils!  I HAVE NEVER PERSONALLY HAD A TRUE STRAT, CLOSE ENCOUNTER EXPERIENCE OF THIS KIND, BEFORE!  If it’s seems like I’m hyping these pickups beyond reality, I can understand your skeptical feelings.  But, I can not deny that because of this encounter with REAL single coil BLISS, 60 cycle hum and all… I am a convert!  When the right guitar makes itself available, and cash flow allows, I will be the proud owner of a G&L Legacy Strat, wrapped around a set of Rocketfire Scatterwound Single Coils to DIE For!  ‘Nuff Said!

Rock and Roll Is NOT DEAD…. For Those Who Questioned If It Was

Posted in Thoughtful Sermons and Mindless Rants on October 9, 2008 by guitfiddle

Greetings fellow Gear-Heads!  Ignorance is NOT Bliss!  I am referring to me, myself, and I.  For many years I’ve thought of myself as being very open-minded and exposed to a plethora of musical styles and forms.  But I’ve found myself feeling “stagnant” when it comes to the available sounds of REAL Rock and Roll.  Many of my fellow journeymen, approaching middle-age, seem to be either listening exclusively to the groups and bands of their youth, or feeling locked into pursing only “Heavy” styles of Rock.  Not that there’s anything wrong with that.  But it has seemed that the true spirit of Rock, has disappeared.  Or so I thought.  I’m one of these guys that actually BELIEVE that music in general, and ROCK in particular, is VERY IMPORTANT on a social scale, spiritual level, as well as the entertainment factor.  Now I DIG, and have jammed or played, a lot of styles:  Modern Rock, Blues, Funk, Fingerstyle Acoutic, Improvisation, Free-Form Jamming, and whatever other banal catagories I could invent.  My LOVE of listenting to MUSIC I CAN”T EVEN FATHOM PLAYING, is surpassed only by my lack of funds to purchase all the music I hear!  What this is coming down to is that, for those feeling like there is nothing from the young guys coming out worth exploring…. BOY, ARE WE WRONG!  Over the last few years, I’ve found that the original spirit that made Bo Didley, Chuck Berry, Buddy Holly, John Lee Hooker, and MANY MORE, has NOT been lost, just thinly veiled.  Young fellows like Kings of Leon, Arctic Monkeys, The Hives, The Raconteurs, JET, etc. have picked up the flame, and are carrying forward with great tones, true melody, sweet song structure, and ATTITUDE!  These guys should give us inspiration to delve into our roots, and also take a leap-of-faith, into what the future brings for us musicians and TONE FREAKS!  So forgive me for my rambling, incorrect spelling, and my opinion.  Let the young generation pick up the torch, and the rest of us, GRAB ON and GUIDE WHERE IT’S HEADED!

A Few Thoughts on What It Takes To Be a True Bass Player

Posted in Thoughtful Sermons and Mindless Rants on October 2, 2008 by Numerounogearhead aka George

For those of you who do not already know, the bass is God’s chosen instrument. He created all other instruments and those musicians who play them to be servile subjects of the bass player. That’s one reason why I play bass. It’s good to be the King. Many guitar players claim they can play the bass, and probably most of them are pretty good at finding their way around the fingerboard due to a bass’s similar tuning. But most guitar players play the bass as if it were a guitar. They chase after solos and tend to focus on creating melodic song lines. They also become fascinated by how guitar chords sound on the bass. And, Lordy, how they love to slap! Problem is they usually try to slap as fast as possible, like the kid on the bridge playing banjo in the movie ‘Deliverance.’ Did you ever notice how closely some slapping resembles banjo playing? Here’s a vital nugget of truth: To be a true bass player, you need to think Groove. Groove is the rhythmic pulse that often can be felt more than heard. You can create a Groove playing just one note as long as you’re successful at transforming it into a throbbing pulse. What do I mean by pulse? When you look out into the audience and see heads bobbing in unison, that’s in response to the Groove, or Pulse. Most listeners aren’t even aware that they respond in this manner. Anyway, what I’m trying to say is that you don’t have to be the most technically adept player to be a good bassist. It’s always good to work at developing your chops, but the ability to Groove, to create the Pulse, is what sets you apart as one of God’s chosen people.

In The Beginning …

Posted in Thoughtful Sermons and Mindless Rants on October 2, 2008 by Numerounogearhead aka George

I’m new to blogging, so bear with me as I venture into this brave new world. I work for 1st Gear Music, possibly the best kept secret in the tone universe, that is until the search engines start kicking in. I fixate on cool gear, which makes me an unabashed gearhead. I can’t help it. From guitars and amps down to Abalone Strat pickguards, I love high-end and unique music gear. My partner in crime, who has taken to calling himself Greg, is what he labels a Tone Snob. He can taste different tones the way wine aficionados (winos) taste a Merlot to discover its hidden qualities (such as alcohol). So together, we formed 1st Gear Music. You’ll be hearing more from us in the coming days and weeks as we talk about the likes of tube amps, boutique effects pedals, custom shop guitars and basses and plenty of other gear that we hope will make you drool worse than your poor drummer does naturally.